Today most music is recorded on a digital audio workstation (DAW), the heart of what a computer and recording software. Some of the key players in the recording of the current software of Steinberg Media Technology Cubase, Digidesign Protools, Apple Logic, and Sonar by Cakewalk. There are basically three things you can do with your DAW: recording, editing and mixing. This article focuses on the first round, recording, or "laying down tracks."
Because it is easyoverwhelmed by its many features, options and settings for the recording of current software, I will stick to the basics. My examples will use Cubase, which is the recording software I use. However, the basic process is similar to other shooting modes.
Start by installing the digital audio interface and recording software and set to work together. For example: If you use Cubase, go to the Devices menu, select the Device Setup window, and select the softwaredriver supplied with the interface.
Now connect your instrument or microphone (s). Most of the tools with audio outputs to connect the -10 dB input on your interface, the interface then the signal will be increased by ten decibels. Microphones require amplification by a preamplifier (often abbreviated pre), a feature built into many digital audio interfaces. Most of the microphones into the input 4 dB, and the interface to reduce the signal path or by four decibels.
Subsequently,You can set the first recording project. In Cubase, select New Project from the File menu. You will be prompted for a location to store files on it. Make sure you have a new folder for each new project. Your recording software will then create subfolders as needed. Save the new project. Then the recording quality for the project, which is the sampling rate and bit depth. Select Setup Project from the Project menu in Cubase. Please note that CD at 44.1 kHz 16-bit to use. Superiorinstitutions to improve the quality, but also a much greater demand on your CPU and the size of audio files created and stored on your hard drive.
If you are familiar with live sound mixing of signal flow and understand, you have a good start on this next step. Create a new input jack (I use Cubase VST Connections menu of devices). Choose the configuration for a mono microphone, and many individual instruments or stereo configuration with two microphones, or ifan instrument with left and right outputs. Set this bus to the correct input to use the digital audio interface. Create a new audio track for recording (Cubase Track Add to Project menu) and assign the input bus just created this track.
At this point you can choose to register your dry run, a digital signal processor (DSP) to use the signal to increase (even with compression, EQ or reverb) before registration, or an insert to use the effects to apply byCubase. The plug-in or DSP or virtual instruments designed to work with the recording software. VST (Virtual Studio Technology) plug-ins work better with Cubase. Before you buy a plug-in, check to see that the plug-ins are pre-installed with the DAW software and type (s) are compatible with the software. Cubase, for example, provides plug-ins for compression, EQ, reverb, and a variety of other common effects. While the major studios often apply compression and EQtracks for recording, it is quite acceptable and often preferable to record the tracks dry, then edit later take the time to experiment and find the right effect to improve the recording. Consult the manual to learn how to plug-in in the flow signal during recording.
If you start recording, another important concept to understand is the signal to noise ratio (SNR). Along with the voice or instrument that is expected to register will almost always incorporates acertain amount of ambient noise, including the sound of the room (like a computer fan, fluorescent light ballast, or toe-tapping) and outside (such as wind or road noise). Your goal is to signal to noise ratio and optimization to minimize unwanted noise to the point where it is undetectable. To do this, and doing the acoustic signal is loud and clear without any distortion.
Now is the time to record. Select the track willrecording, and make sure the correct input is assigned. JavaScript or record "the arm of the song 'pressing the red button. Take a look at the meter on the transport panel (or click the button on the monitor) to see if the signal to come through. Use the slider to the maximum level without distortion the SNR. Finally, press the record button to start and the Stop button to stop recording.
But not all! Playing tracks and listen carefully to how it sounds. Do not be afraid to shootrepeatedly until you are completely satisfied. Even professional record several times. If, in fact, before recording the first song, you can copy and create multiple copies of tracks steps in the creation of Songs to need to save. You may also want to overdub, recording various departments individually edit and mix later. If you use Cubase, I discovered some cool video tutorial on the Web at www.maketunes.com / articles / Cubase tutorial video.
FeliceRegistration!
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